I recently ran a game
of the re-skinned B3-Palace of the Silver Princess setting it in a fairy tale
land, with anthropomorphic animals and whimsical elves. It went well, and the adventure proved a couple
things. First, those 80’s modules loved their combat, second that a story with
hints to discover motivates players to explore and third, re-skinned goblins
can be really scary. I redrew the map of
the first level of the dungeon, because the original is very linear and lacks
any organic sense – including things like putting the Princesses’ dressing
chamber next to a butcher shop and placing military style traps in a school
room. I based my reskin on the ideas in this review: B3 - Palace of the Silver Princess
B-3's first level, redrawn for sense. |
A WEDDING RUINED
The berry wines and honey-mead
have been flowing for a week now, and even the lowliest hired labor from the
terrestrial sphere and the less respectable outlying villages have been basking
in the absurd plenty that the impending wedding of the fey Queen Azure to the
mysterious Scarlet Dragon Knight trails in its wake. Azure in her typical grandiose way, only to
be expected from a self-proclaimed “Daughter of the Earth Goddess”, “Ever Truthful
Oracle” and “Czarina of the Peaceable Forest Peoples” has invited every being
with even the slightest connection to the fey courts. The small hamlet of Bobble, in the lee of her
great castle is overflowing with intelligent animals, gnomes, lesser fey,
dwarves, the more civilized goblin folk and even occasional humans. Every low roofed toadstool hut has been crammed
to its musty rafters as the more enterprising crofters take in guests, or rent their
homes to traveling artisans while they camp in the woods.
The eve of the wedding finally
sees the tiny town at rest, though late night preparations continue in the
castle, with the windows of its towers and enchanted bowers ablaze with
multicolored light and the sounds of revelry.
Yet not long after midnight this relative peace is disturbed when a huge
explosion, and cacophony of unearthly howls, rumbling earth and cracking rock
tears through the night. Man, elf,
dwarf, gnome, boggin, sprite, badgerman, rabbitwife and mushroom people dash
into the small fountain square at the center of Bobble and stare up at the
castle bluff where the towers have shifted and a sulfurous light creeps
downward like slowly dripping oil from the tangled bows of the castle’s living
woods. An enormous tower of black smoke fills the sky coming from the collapsed
central dome of the castle, it’s silver filigreed roof fallen.
Many townsfolk rush back to their homes and close the shutters, hoping that the destruction was only a nightmare. A few do not, and an impromptu exploration party consisting of a local 4’ marten forester, a young valkyrie, a gangly student sorcerer, a badger priest and a pair of human soldiers march towards the smoking and crumbled castle, now silent except for the occasional sound of a falling rock.
On the way the rescuers encounter
a battered intelligent crustacean, a crayfish milliner (in charge of the
wedding hats for the guards of the 2nd lower ballroom), his carapace
leaking ichor from a series of cracks and the tips of his tiny mincing legs
burned to a reddish hue. Nub the
crayfish can barely talk, but he manages to gasp out the following:
“Everyone is Lead.”
“The whole palace is packed with
wedding gifts and fancy stuff, the commemorative plates alone…”
“The silver skinned dwarves of
the distant Grim Hold, brawny bearded brutes in dull black riveted armor, brought
the best present, a huge citrine in a silver cage.”
Leaving the poor crustacean to
stumble back to Bobble, the adventurers, heads filled with dreams of wedding
plunder, press on to the castle’s gates, to find that the living oaks of the
main gates are closed, a tangled and impenetrable wall of animated tree limbs,
bathed in oily sulfur colored light, that seeps between the cracks and spreads
across the earth before the menacing trees.
The Marten attempted to enter the
yellow glowing areas around the gate, but immediately began to feel nausea and
soon coughed up a pair of fat jaundiced slugs.
With the gates barred and the oily glow itself a danger, the party began
to circumnavigate the bluff seeking another entrance to the castle. As a local The Marten knew of an entrance
through the rock itself, the ancient white stone pilgrims’’ way leading to the
Earth Goddess shrine beneath the castle, where Queen Azure gave her oracular
wisdom to visiting scholars.
THE SHRINE GATE
The white stone were unaffected by
the dangerous glow and the party found the shrine entrance uncluttered except
for a sign that read “Shrine Closed for Wedding – Danger, Area Patrolled by
Beasts”. Beyond was a natural cave, stalactites
still dangling from its ceiling with the walls and floor polished and carved
with relief of stern elven warriors. The
shrine entrance was dangerous, as the Forester discovered, entering and
triggering a dart trap. Luckily the dart
missed, and when recovered proved to be more for show then real injury. A portcullis of carved stone spikes prevented
further progress into the shrine and the party began to investigate two side
chambers.
The first contained a pair of elven
guards in ornate parade armor covered in brass and silver filigree and polished
decorative stones. The guards were not
well though, their eyes, mouths and ears leaked a dull shining metallic sludge
and their flesh looked almost as if it had been cooked from within. Lunging at the valkyrie as she opened the polished
stone door, one of the guards caught managed to penetrate her armor with its
decorative silver halberd, before the pair were overwhelmed. The metallic sludge
proved to be molten lead, and the unfortunate guards bodies were full of it,
with the molten metal slowly cooking them from within – a fell and evil curse. Collecting the largely decorative weapons and
armor as treasure the party remarked on a lever at the rear of the chamber in
the up position. Otherwise the small
guard room contained only a few benches and a burnt out light crystal lamp.
Listening to the other door to
avoid attack by more cursed guards, the party heard skittering and a chittering
noise, and the Valkyrie prepared an oil bomb.
Flinging open the door and hurling the bomb into the small stone room,
she caught a quick glimpse of a furry beast with a huge fluffy tale before
slamming the door. Opening the door
after a second, the guttering oil flames revealed a giant squirrel wearing a
small painted saddle fleeing out through a small high window in the rock. The Marten scurried up the wall after it, but
the squirrel escaped into the treetops.
Lever and simple benches were repeats in the room, and the party was
smart enough to flip the lever up with a pole, as close examination revealed tendrils
of yellow glowing sludge that had crept into the handle through the rock.
THE HOSTEL
Flipping the lever caused the
portcullis to lift and opened the wear deeper into the complex’s smooth
polished brown and grey stone corridors.
Almost immediately the party discovered a pair of nicely made oak doors with
a book engraved on them. Behind the book
doors was a library, but it had been ransacked, and the plunderers were still
present. A quintet of lead oozing
scholars: a big bald man, an elf, a hedgehog, a rabbit and a gnome. Thrown daggers, axe blows, swords and maces
take down the benighted scholars, but not before the badger priest ends up with
a few nasty gnome bites to his leg. Searching
the library the adventures discover a large collection of books on geomancy and
similar earth magic related subjects, though many of the best works have
already been shredded or burned by molten lead.
Choosing to plunder the library later, the band presses on through on of
the library’s many doors discovering a hostel for wandering scholars complete
with beds and a set of wooden lockers.
The hostel is occupied by a lead
cursed human wizard, his red velvet robe covered in embroidered symbols now
singed by the leaden vomit dripping from his beard. The enchanter is aided by a band of five
mercenary soldiers, also afflicted with the curse and the party quickly joins
them in battle. It should have been a
tough fight, but the guards burst into the room and are cut down by the party
fighters, with the Marten plunging one of the gate guard’s leaf shaped silver
short swords into the back of the first cursed mercenary through the door. On the corpses the adventurers discover
several small keys and the wizard’s travelling spell book, which their own
conjurer quickly takes and begins to flip through. The keys of course open the
dead mens’ lockers revealing musty travelling cloaks and cheap camp gear. Only the red wizard’s own, slightly nicer,
leather satchel has anything of value, a red silk scarf and an egg of engraved turquoise.
Moving South from the hostel sleeping area through
another polished wood door, the adventurers discover a well-lit dining hall,
with a massive feast set on its 20’ long banquet table. Murals on the walls
depict robed scholars dining with humanoids made of crystal in some sort of
idyllic feast. Close inspection reveals
the food is cold, and more strangely, even the meat dishes are cleverly
disguised vegetables. As they explore
the room and wonder at the feast, the party hears snatches of creepy elven song
coming from the kitchen. Preparing a
trap of spilled wine, and a hanging bundle of food, attached to the chandelier,
the party calls into the kitchen for desert.
Unexpectedly they are answered in thick, blubbering elvish, with a
promise of more wine. Soon a drab human
woman, a changeling trapped in the fey world to toil for her elven masters,
stumbles in with two pitchers of chilled wine.
Despite her obvious affliction with the lead curse, the changling does
not slip on the wine and responds positively to the Valkryie’s line of
questions. The molten metal that flows between her teeth doesn’t prevent the
drudge from discussing the miseries of her daily life with the warrior angel,
and soon the adventurers send the afflicted woman back into the kitchen with an
unflattering message for the cook. It’s
only a few moments of excited shouting in high pitched elvish before an enormous,
obese elf bursts through the kitchen door with a cleaver raised above his
head. The chef slips in the wine and is stabbed
to death by the Marten from concealment, his molten blood sizzling on the stone
walls and floors. The drudge and two
elven underchefs press into the doorway, only to be smacked in the faces by the
swinging tablecloth bundle of food, dangling from the chandelier, and knocked
back into the kitchen with a clatter.
The Marten leaps after, knocking the drudge unconscious with a masterful
blow, while the rest of the party dices the two chefs as they struggle to rise.
A search of the kitchen reveals
little of value, only a huge set of cooking equipment and a lot of weirdly prepared
dishes (A curly toed shoe wrapped in puff pastry for example). The pantry beyond is filled with fresh vegetables,
and ingredients, but dominated by a huge pink cake stuffed with almond paste
doves. The adventurers stop only long
enough to gather up a few bags of flower before heading West down a flight of
stairs from the library into a huge cavern.
THE SHRINE CAVE
The cavern is unlit, and feels
ancient, a place where only minimal improvements have been made to smooth out
the most dangerous sections of the floor.
To the North the cave wraps around to another set of stairs that climb up
into the entry hallway. A sudden bellow
and rattling of chains shocks the party from their investigations, and light
shined into the Northern part of the cavern reveals a hulking chained beast,
attached to a ring in the wall. The
creature is a gorilla-like mass of blue fur and sinewy muscle, with crystalline
teeth, claws and eyes – a dreaded Temple Beast.
Yet the beast seems saddened, eyes filled with longing and its
threatening bellows for effect only.
The creature ignores a thrown
ration of cheese and meat, but sniffs and gobbles up a chunk of hardtack with
obvious glee, and the party decides to placate it with the huge pink cake from
the pantry. However, as the band drags the tottering, oversized confection back
through the library, the door flies open to reveal a gang of anthropomorphic animals
in torn wedding finery. The four rabbits
and lizard carry sacks bulging with random palace knick-knacks, and all suffer
from minor wounds. As the adventurers attempt
to hail them the looters scream, believing them cursed palace dwellers, and an
absurd melee commences. It’s over almost
as soon as it begins however, with the Valkyrie shouting one of the rabbits
into surrender and the others fleeing into the hall. A well placed blow opens the fleeing lizard’s
shoulder and slices his loot bag apart, dropping china to shatter on the stone
floor. The priest flings a blanket over
the head of another rabbit, before the looters flee. Taking pity on their captives the party
allows one of the rabbits to dash out the doorway and hires the other as a
henchman.
Upon returning to the cave and Temple
Beast, the adventurers quickly discover that the stomach is the way into a monstrous
ogre’s affections, and when freed from its chain the creature bellows a
willingness to tag along with the party.
Emboldened by the success of their recruiting efforts, the band chooses
to investigate the doors in the North of the cavern. The doors are polished wood, each depicting a
chalice, pouring stylized streams of water. Beyond the right door is a strange
oblong room, filled with murals of cavorting stone nymphs in a cavern setting
and wooden cabinets covered with jars of unguents, brass tools and clean
towels. A high bed draped in starched
linen rests in the chambers middle.
Thinking this a gruesome torture chamber, the valkyrie flings open the
largest cabinet, crossbow cocked in hand.
A strange homunculi of lumpy lavender soap and bronze syringes tries to
jab her from within the cabinet, but the warrior fends it off, firing her
weapon in reply. The bolt ricochets
about, but fails to harm the odd creature, which clambers forth with menacing slashes
of its syringe paws. Despite its odd appearance,
the soap golem is quickly smashes into a sudsy ruin, and the syringes collected. A small crystal key and a pile of valuable inanimate
lavender soap prove to the only items of interest in the spa.
A door in the North wall of the
spa chamber, a mosaic covered wood panel, opens into a cool bath area, the
large tub inset in to floor and everything tiled with small lapis squares. The tubs fixtures are silver, and a set of
winged glass pitchers of bath oil sit about the room. As the explorers creep forward cautiously,
first one and then all six of the pitchers animate, taking flight on their glass
wings, and begin to dart playfully at the party. Deciding that one animated beauty product is
more than enough to encounter in one delve the party retreats, closing the door
before the bath oil vases decide to attack.
Checking the other door from the
cavern, the adventurers discover a sauna chamber, worn wooden benches
completely lost in pleasantly hot steam.
The constant hiss of the steam vents and the lack of visibility cause
the explorers to balk, and they turn back into the cavern itself leaving the
remainder of the holy spa unexplored. A
wide marble staircase, built over an uneven natural stone slope winds down into
the darkness from the Southern part of the cavern, and after fifty feet stops
in another vaulted natural cavern, it’s roof held up by pillars of crudely
carved natural stone. The cavern is an
elven earth temple, to a deep goddess, and it’s walls are covered with ancient
paintings in blue pigments, including many long fingers elven handprints. A dais of pink marble, the same as the stairs
holds a large iron meteor altar, topped with an inverted stone bowl and a set
of carved stone candlesticks. The badger
priest senses that the chamber is the scene of a battle between earth deities.
Blue besieged by yellow, and an intense antipathy towards dwarfs. The cleric climbs the altar with holy water,
preparing to bless the bowl, but as he approaches the bowl an ochre serpent,
made of clay lashes at his face. The
earth snake’s rough tale abrades the face and neck of the priest, but he
manages to crush it before it’s rocky fangs find his throat.
Feeling that the cleansing of the
temple is even more important than before the priest leads the party in a short
ritual blessing of all its corners, attempting to bolster the besieged elven
goddess, before the band clambers up another set of long stairs in the temple’s
Eastern wall. Climbing up a long
corridor the party finds the priests barracks, empty except for the bodies of
two lead cursed guards and three blue robed elven acolytes. Eventually the corridor loops around to the
entrance portcullis, and the explorers return to town with their new wealth and
discoveries.
An interesting revamping. I think you're right about the correct use of "plot type" elements in exploration game: they should be used to entice the characters to want to find out more. Attraction not coercion.
ReplyDeletewonderful, in my campaign "goblins" are already talking animals. and I am running two groups in a fey city, so Im sure your insights will come in very handy. thanks.
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