"The town of Gongberg is nestled amongst muddy green fields of rye and barley. The seasons have been wet and the grain rust thick of late, and as always the waking dreams of ruin and fire haunt all those who depend on the tainted grain. A lull in the interminable wars of the border lairds have filled the countryside with grim mercenaries, brigands and well armed madmen."
The 'fantasy starting village' is a cliched element of tabletop games, computer games and even fantasy fiction - some sort of homey place that defines the stepping off point for protagonists into the world of adventure. While in video games and novels the fantasy village is a wretched and boring convention, it does offer a real advantage in tabletop games, where, unlike video games and novels, the world building must be a collaborative process as the players can both change things through their in game actions, the GM can leverage player creativity to make the world more interesting and an openness to player generated content can promote player buy in. The Fantasy Starter Village is a great way to set the stage for this, and makes the GMs job easier.
|Dragonfly Township will undoubtedly lead to Vanilla fantasy or perhaps something a bit more anime.|
I wouldn't want to start with less information though, unless I were to start with the other classic "You wake up naked in a cell" campaign starting point. There are more flavorful variations on this hook as well - slave caravans heading to the temple of sacrifice, characters pulled from the freezing ocean onto a haunted miles long ship, shipwrecked on the shore of some foreign land, but all of these hooks take an extra step to both make the characters completely blank slates and explain why they have in in game world knowledge. The Fantasy Starting Village however provides a few clues, and better encourages the players to believe that characters have knowledge of the world around them. A few evocative clues in the description are almost all one needs to help the players build a world and to constrain player world-building to a degree as well. Using the example of Gongberg above, one can extrapolate a few setting details, but they are hopefully vague enough to allow the players to take the information in a variety of directions.
NAME: A town name tells a lot about a setting - "Gongberg" for example implies both a vaguely Western European, likely English sort of place, and gong being an esoteric world for dung also implies that the village is not an especially nice place. Changing the name could change the whole campaign setting - call it "Cun-Fen" (google translate for pigeon Mandarin) and suddenly the game world is Asian. "Kreckdorf" would make the village more German. Doing this and players are likely to name their PCs appropriately - the citizens of Kreckdorf are going to be named "Karl" and "Helga", while Gongberg likely has a lot of Johns and Dougals.
DESCRIPTION: Description continues to provide clues, but also hooks and quandries. Here we have rye and barley crops infected with something like ergot. This suggests (though players aren't likely to know this) European peasant crops of the pre-19th century (change it to potatoes if you want a 19th century game) - meaning that Gongberg might be anywhere from the dark-ages, or Renaissance. The inclusion of the 'grain rust' presents a mystery - if the players express interest it might be some kind of magical curse or color out of space type infestation, if not it's an excuse for the GM to fill Gongberg with howling madmen and prophetic lunatics. The same with the inclusion of "Border Lairds" who provide a potential for a nearby area for travel/campaign expansion, add a sort of Scottish Border theme to Gongberg (call them Hill Hetmen and suddenly one is in fantasy Byzantium or Russia), offers both a character origin story as out of work mercenaries from the border and sets berserkers and bandits as a likely encounter.
|Mepos - It seems likely that there will be minotaurs and a lot of small boats in this campaign|
Once the basics of the village have been determined, all that's necessary are a few adventure hooks - for Gongberg, perhaps an old barrow in a bog, a rumored unseelie mound out on the moor, and a crumbled tower allegedly used as a bandit outpost. From here the players will build the setting with their interests and in game decisions, but they will do so within a few constraints and while the setting might evolve into either a grimdark "A Field in England" sort of place or some kind of green and pleasant land where the intrigues of the fey provide the campaign drama, these choices will come up organically - from player interpretation and creation as hinted at through GM created content.